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Weyland-Yutani Archives: Alien Unseen: Part One - Ridleygrams

During Alien’s pre-production, Ridley Scott drew up a story board presentation of Alien for 20th Century Fox. Impressed with what Ridley had presented they doubled the budget from $4.5 million to $8.5 million. These storyboards are known as ‘Ridleygrams’. This story board presentation contains scenes and FX shots that were later re-written or dropped due to budgetary reasons. Here we are going to take a look at some of these early scenes and concepts Ridley envisioned for Alien at this early stage.
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Weyland-Yutani Archives: Alien Unseen: Part One - Ridleygrams

During Alien’s pre-production, Ridley Scott drew up a story board presentation of Alien for 20th Century Fox. Impressed with what Ridley had presented they doubled the budget from $4.5 million to $8.5 million. These storyboards are known as ‘Ridleygrams’. This story board presentation contains scenes and FX shots that were later re-written or dropped due to budgetary reasons. Here we are going to take a look at some of these early scenes and concepts Ridley envisioned for Alien at this early stage.
thisistheverge:

Weyland-Yutani Archives: Alien Unseen: Part One - Ridleygrams

During Alien’s pre-production, Ridley Scott drew up a story board presentation of Alien for 20th Century Fox. Impressed with what Ridley had presented they doubled the budget from $4.5 million to $8.5 million. These storyboards are known as ‘Ridleygrams’. This story board presentation contains scenes and FX shots that were later re-written or dropped due to budgetary reasons. Here we are going to take a look at some of these early scenes and concepts Ridley envisioned for Alien at this early stage.
thisistheverge:

Weyland-Yutani Archives: Alien Unseen: Part One - Ridleygrams

During Alien’s pre-production, Ridley Scott drew up a story board presentation of Alien for 20th Century Fox. Impressed with what Ridley had presented they doubled the budget from $4.5 million to $8.5 million. These storyboards are known as ‘Ridleygrams’. This story board presentation contains scenes and FX shots that were later re-written or dropped due to budgetary reasons. Here we are going to take a look at some of these early scenes and concepts Ridley envisioned for Alien at this early stage.

thisistheverge:

Weyland-Yutani Archives: Alien Unseen: Part One - Ridleygrams

During Alien’s pre-production, Ridley Scott drew up a story board presentation of Alien for 20th Century Fox. Impressed with what Ridley had presented they doubled the budget from $4.5 million to $8.5 million. These storyboards are known as ‘Ridleygrams’. This story board presentation contains scenes and FX shots that were later re-written or dropped due to budgetary reasons. Here we are going to take a look at some of these early scenes and concepts Ridley envisioned for Alien at this early stage.

Learning to design is, first of all, learning to see. Designers see more, and more precisely. This is a blessing and a curse — once we have learned to see design, both good and bad, we cannot un-see. The downside is that the more you learn to see, the more you lose your “common” eye, the eye you design for. This can be frustrating for us designers when we work for a customer with a bad eye and strong opinions. But this is no justification for designer arrogance or eye-rolling. Part of our job is to make the invisible visible, to clearly express what we see, feel and do. You can‘t expect to sell what you can’t explain.

This is why excellent designers do not just develop a sharper eye. They try to keep their ability to see things as a customer would. You need a design eye to design, and a non-designer eye to feel what you designed.

“See with one eye, feel with the other.”

― Paul Klee

(read full text here)

(Fuente: swiss-miss.com)


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Artist Shepard Fairey creates patch for new International Space Station mission
Artist Shepard Fairey may be best known for Obey Giant and his Barack Obama “Hope” poster, but his latest work will be conquering an entirely different realm: outer space. The artist has designed the patch for an upcoming mission to the International Space Station called ARK1 — Advanced Science and Research — that will run from September 2013 through March 2014. ARK1 will be the first flight managed by the Center for the Advancement of Science in Space (CASIS), a non-profit organization that was set up by the US Congress in order to help promote research aboard the ISS. 
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thisistheverge:

Artist Shepard Fairey creates patch for new International Space Station mission

Artist Shepard Fairey may be best known for Obey Giant and his Barack Obama “Hope” poster, but his latest work will be conquering an entirely different realm: outer space. The artist has designed the patch for an upcoming mission to the International Space Station called ARK1 — Advanced Science and Research — that will run from September 2013 through March 2014. ARK1 will be the first flight managed by the Center for the Advancement of Science in Space (CASIS), a non-profit organization that was set up by the US Congress in order to help promote research aboard the ISS.